Steve Hyde’s role in this production was as First AC on the Camera crew. He coordinated camera department resources and supported the work of Director of Photography, Zeb Smith. Production Company: Flies Collective for Google (2018) We maximized the use of (2) Arri Amira cameras on EZ Rig hand held stabalizers and a set of Zeiss Super Speed primes lenses.
Steve Hyde’s role in this commercial for Mackie Audio was as Director of Photography utilizing Dana Dolly, Sigma Art lenses and Kinoflo lighting and as live performance cinematographer in collaboration with: producer / director / camera: Adam Brown editor / camera: Jason Reid editor / 1st AC: Daren Lund with Grip and Production support from: Michael Michael Location: Crocodile Cafe …
Steve Hyde filmed this segment with the producing support of 60 Second Docs editorial staff. (2017)
Steve’s role on this production: First AC / C300MKii / Grip Director of Photography: Howard Shack Producer / Director / Editor : Michael Fox
This video was produced by Longhouse Media with the support of Seattle Foundation and King County Elections.
Executive Producer: Tracy Rector Writer / Director / Editor : Nils Cowan Cinematographer / Audio / Color: Steve Hyde
When New York based Rava Films hired me as a Seattle-side production assistant to help out on this short documentary about LMN Architects in Seattle, I got a chance to support their work. The film was commissioned by American Institute for Architects. (AIA)
Liya was orphaned at age seven in Addis Ababa, Ethiopia where she and her four year old brother wandered the streets until finding home in an orphanage. In 1999 the two children were adopted by a family in Port Townsend, Washington. Now in 2017, this documentary film is about Liya and her on-going work at the Ethiopian Community in Seattle.
Published on Feb 22, 2017
Edited by Marica Petrey
Interview by Steve Hyde
Footage courtesy of
hotel room interview with existing window light and a reflector / Canon C100 for Director Tracy Rector / Longhouse Media / Clearwater Film LLC.
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